Alone by the water, under the tree, clear-blue, night-black, a flaming bunch of flowers in the hands. Like hope, sadness and trust… The elegance doesn’t obscure the object. Figures of children, the lion dance, a fishman playing the flute in the night, gathering men…
Some big blocks occupy the space, and also overlap. The colour is striking, pure, on the edge of sophistication and anguish. The system of mixing strokes is sometimes rigid, sometimes bunched-together, sometimes free and coquettish – but, in the general harmony, still very moderate.
Le Quang Ha defines his own style without giving into the temptation to nosily “introduce oneself” to make a name in the “boom” of contemporary, young art.
The sincere emotion in Le Quang Ha’s art is very persuasive. He makes use of Modernism’s language, while preserving with the nation’s traditional current – to speak expressively and naively.
Le Quang Ha’s paintings are attractive because of their self-realized glimmer and patience. They give us a hope for Real Art in the changing world of contemporary art.